Klangfarbenmelodie
An obscure 1995 release from the famed Sonic Youth guitarist, this CD sees him paired with free jazz drummer Tom Surgal for a blistering noise set, in keeping with New Zealand noise label Corpus Hermeticum's aesthetic. The listener should not expect the sweet psychedelic pop of his Psychic Hearts album of the same year; rather, Moore explores his interest in freeform improvisation on this live set recorded in 1994. The recording is incredibly lo-fi, but that adds to the CD's candid charm, as his guitar thrashing reaches peaks of noise only hinted at in early Sonic Youth. The duo works along lines that are more akin to the Blue Humans -- with whom drummer Surgal began -- and also seems influenced by such underground acts as Fushitsusha and the Dead C. Anger of stick 2 free download game. Moore's guitar is so distinct, however, that many parts here could be mistaken for a live Sonic Youth recording from that band's more heady and chaotic '80s period.
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Title/Composer | Performer | Time | Stream |
---|---|---|---|
1 | Thurston Moore / Tom Surgal | 20:59 | Amazon |
2 | Thurston Moore / Tom Surgal | 11:03 | Amazon |
3 | 07:41 | Amazon |
An obscure 1995 release from the famed guitarist, this CD sees him paired with free jazz drummer for a blistering noise set, in keeping with New Zealand noise label Corpus Hermeticum's aesthetic. The listener should not expect the sweet psychedelic pop of his album of the same year; rather, explores his interest in freeform improvisation on this live set recorded in 1994. The recording is incredibly lo-fi, but that adds to the CD's candid charm, as his guitar thrashing reaches peaks of noise only hinted at in early.
The duo works along lines that are more akin to - with whom drummer Surgal began - and also seems influenced by such underground acts as Fushitsusha. 's guitar is so distinct, however, that many parts here could be mistaken for a live recording from that band's more heady and chaotic '80s period.
Klangfarbenmelodie (German for sound-color-melody) is a musical technique that involves splitting a musical line or melody between several instruments, rather than assigning it to just one instrument (or set of instruments), thereby adding color and texture to the melodic line.